Editorial illustration, hand-drawn diagrams, and quiet picture-making — usually in red thread, occasionally in ink wash.
Sketch, decide, finish. Slow on purpose. The first round is the one that costs the most pencil.
Five rough thumbnails in a Moleskine. We choose one before any colour or rendering happens.
A single tighter sketch with structural notes. Sign-off lives here, not in the final.
Ink, wash, scan, repair. Final delivered as 600dpi TIFF + working layered file.
Maja sees the diagram inside the metaphor. Every brief comes back richer than I sent it.
I take roughly fifty commissions a year. Editorial spots first, books on Tuesdays.
Twelve Knots ships in May — three years of small marks finally bound.
A short piece on drawing kitchens for Field Notes Quarterly.
New ink — a darker thread red. Posted swatches to the journal.
Two weeks in Lisbon. Filled four sketchbooks of fish-market diagrams.
Most commissions begin with a poorly-photographed napkin sketch. The studio is friendly to half-formed ideas.